Skip to main content

Worth A Look: Zombieland (2009)


Zombieland

Three stars

Director: Ruben Fleischer

Stars: Jesse Eisenberg, Woody Harrelson, Emma Stone, Abigail Breslin.

Rated: R 

Running time: 1:20

Examine the individual parts to “Zombieland” and frankly, the sum of those parts really shouldn't add up to much.

Can the zombie subgenre of horror movies really thrive anymore? Okay, so "The Walking Dead" may be an exception. Beyond that, how is anyone going to pull off a film with stereotypes instead of real, fleshed out characters (yes, pun fully intended)? A tough guy, a neurotic geek, a con artist and her kid sidekick don’t seem to be the stuff of inspired efforts.

Yet, director Ruben Fleischer manages to prove naysayers in waiting wrong despite the limitations he was working with.

It’s the present day and a virus has turned practically the entire world into flesh eating zombies, save for a few fortunate folks who are immune.

The four main characters that eventually converge here don’t want to get too attached, so they refer to each other by their hometowns instead of their first names.

Columbus (Jesse Eisenberg) is trying to get from his college town in Texas back home to see if his parents have survived. For the two months he’s been in survival mode, he’s developed this list of rules to survival. His top three: Cardio (you have to be able to out run the zombies); wear the seatbelt (never know when you need to make a sudden stop and avoid going through the windshield); use the double tap (don’t be stingy with your bullets. Make sure they’re dead with an extra blast of your 12-gauge to a zombie’s head).

Columbus is the geek to Tallahassee’s (Woody Harrelson) tough guy. Tallahassee picks up Columbus on a road and offers to take him east.

If you’re going to use a pretty stock character like Tallahassee, at least make him a little quirky. And Tallahassee has a few, such as absolutely reveling in slaughtering zombies while searching for one last Twinkie (contrary to popular opinion, they do have an expiration date, he tells us).

They run into Wichita (Emma Stone) and Little Rock (Abigail Breslin), a couple of con-artists who have their own brand and style of survival. They are headed to a Los Angeles amusement park so Little Rock can still have some semblance of a childhood.

Now, Columbus’ search for the right girl in post-apocalypic Zombieland doesn’t seem to be a good fit, particularly since most anyone Columbus encounters wants to eat his face off. But the rather absurd juxtaposition works, particularly with Columbus’ voice over narration providing a few key points that may not be readily apparent. And how can you not laugh at the zombies, who look like they could just as easily been in Michael Jackson’s “Thriller” video.

But I didn’t need to mention any of that for audiences to know this isn’t a serious horror flick. They can tell just from the title. It’s a parody, satirizing the film industry itself and a few other targets. Bill Murray even puts in a hysterical cameo as himself.

With clever dialogue and more laugh-out-loud moments than your average comedy, apparently there is life to be breathed into the moribund class of flesh eater flicks. This is pretty good entertainment for the value.


Comments

Popular posts from this blog

The dystopian genre gets a shot in the arm

  Blade Runner 2049 2017 Four stars Director: Denis Villeneuve Stars: Ryan Gosling, Harrison Ford, Jared Leto, Sylvia Hoeks, Robin Wright. Runtime: 2hrs 44 mins We know that dystopian cinema includes fascinating works of art. Films like “Brazil,” “A Clockwork Orange,” and “Moon” aren’t just some of the best of the genre, they are some of the best regardless. But does their premise make them fundamentally incapable of being beautiful in every sense? Can something so ostensibly bleak, dark and pessimistic also be alluring and elegant? Unequivocally, yes. And you can add “Blade Runner 2049” to the mix. Director Denis Villeneuve takes us to Los Angeles 32 years in the future (from the release of the film). The planet is vastly overpopulated, ecosystems have collapsed, and famine is widespread until an industrialist named Niander Wallace (Jared Leto) invents synthetic farming. In the original “Blade Runner,” synthetic humans known as replicants were engineered with superior strength and...

Don't Look Up -- The Wrong Guy for the Job

Don’t Look Up Two stars Director: Adam McKay Stars: Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Jonah Hill, Rob Morgan, Mark Rylance, Timothée Chalamet, Tyler Perry, Cate Blanchett, Ariana Grande. I can’t say that I’ve been a big fan of Adam McKay. He’s made his career as a comedy writer/director/producer and worked on Saturday Night Live before making the switch to feature films. Some of his comedies are pretty good, such as “Anchorman: The Legend of Ron Burgundy,” “The Other Guys,” “Step Brothers,” and “Talladega Nights: The Ballad of Ricky Bobby.” He seemed to carve out a nice niche for himself. But in 2015 his career took a turn and his films moved into the political sphere. First, he adapted the Michael Lewis book, “The Big Short” into a feature film. The film chronicled the events that led to the housing market crash in 2008. Then in 2018, he directed the Dich Cheney biopic “Vice,” which netted him a fair amount of critical acclaim. And now with “Don’t Look Up,”...

Could stand more "Wonder" here

  Wonder Woman 1984 Two stars Director: Patty Jenkins      Stars: Gal Gadot, Chris Pine, Pedro Pascal, Kristen Wiig, Robin Wright, Connie Nielsen Running time: 2hr 31min For a long time I have been behind giving female characters in the superhero genre of movies more of the spotlight. I have wanted to see male characters step back, relegated to second-tier status, and let their female counterparts shine. We have seen this more and more. Not only has Wonder Woman had two feature films, we have seen characters like that of Regina King in “Watchmen” take center stage and Scarlett Johansson’s Marvel character “Black Widow” will get her own film in 2021. Women are getting greater attention in this genre, as it should be. What is particularly distressing is when a script subtly, but significantly, undercuts this progress, which is the case with “Wonder Woman 1984.” It gives the impression that the wheels of equality in Hollywood are turning more slowly t...